Portishead - "Glory Box"

Bristol Trip-hop band Portishead were one of the most influential bands of the dance music genre in the 90's. Along with fellow Bristol band 'Massive Attack" they changed the musical landscape and took dance music to the indie crowd. They have only released three studio albums and one Live album in 15 or so years.... so the standard has been consistent throughout. "Glory Box" is from the 1994 debut album 'Dummy' and is so cinematic in a spy film kind of way. Probably the most recognisable Portishead song off a groundbreaking album that hasn't aged one bit.

Ida Maria - I Like You So Much Better When You`re Naked

Ida Maria is yet another Norwegian artist on this blog. "I Like You So Much Better When You're Naked" is from her debut album 'Fortress Round My Heart' released in 2008. The album also features another Bitter FM favourite "Oh My God". Her style is full of intensity and the lyrics are more straight-up than ambiguous, as heard here on "I Like You So Much Better When You're Naked". Ida Maria is a great new artist that isn't copying anyone or any style.... she is just being herself.
So what are you waiting for... turn this up and get naked.

Vampire Weekend - "Cousins"

Vampire Weekend now seem like they have been around forever. But "Cousins" is from the New York band's second album ' Contra' from earlier this year and it was only 2008 when they released their debut. Their self-titled debut album was a mix of indie rock and African musical influences, which has become a template for so many new bands. The sophomore album for any band isn't easy but when your debut is as big as Vampire Weekend's was, the pressure can be too much. However, they pulled it off and 'Contra' lived up to expectations. "Cousins" is like a kid after drinking too much raspberry cordial... everything is at full speed... the drumming and guitars are all over the place. Nothing deep and meaningful here, just a lot of fun.

Speech Debelle - Spinnin'

Speech Debelle is a rapper from London and Mercury Music Award winner in 2009. Her debut album 'Speech Therapy' was released in 2009 and won the aforementioned prize ahead of a strong field including Florence and the Machine. 'Speech Therapy' was a hip-hop album that relied more on true instrumentation (often acoustic) than samples and that is one of the many charms. "Spinnin'" was my first taste of Speech Debelle and it grabbed me instantly. I love the opening lines...
"This is for the tat on my wrist
This is for the black of my fist
This is for the s in my lisp"
An uplifting hip-hop gem.

Bluespeak - "The Blues Again"

Most Kiwis know Greg Johnson from years of solo releases and also 'The Greg Johnson Set' but there may be some people who do not know about his membership in the Auckland jazz band 'Bluespeak. With Bluespeak, Greg brings his trumpeting skills to the fore and also shares vocal duties. "The Blues Again" is from their 1993 album 'Late Last Night' and is another set of late night cocktail bar songs... best enjoyed with a drink in hand. "The Blues Again" is a tale of a fingernail sculpture artist with an insatiable appetite for nails.... narrated cleverly by Greg Johnson and backed by a cool jazz soundtrack. A lost classic.

Darlene Love - "Christmas (Baby Please Come Home)"

Darlene Love was a member of 60's girl group 'The Blossoms' but became more known for her work with legendary producer Phil Spector, whether it was with The Blossoms or session back-up vocals or even uncredited lead vocals on singles such as The Crystals, "He's A Rebel". "Christmas (Baby Please Come Home)" was a credited solo Darlene Love song from the album 'A Christmas Gift for You from Philles Records' which was later released as 'A Christmas Gift for You from Phil Spector'. The album is still regarded as the greatest Christmas album by many music critics. Expectations were high for the album to be huge, however, that all changed when it was released on the same day as the assassination of President John F. Kennedy in November 1963.
Spector's distinctive 'Wall of Sound' production is part of the appeal here. Merry Christmas.

Screaming Blue Messiahs - "Wild Blue Yonder"

The Screaming Blue Messiahs were possibly the most underrated band of the 80's. The singer/guitarist Bill Carter has stated that he put so much into his live performances that he prepared all day beforehand and was so emotionally and physically exhausted afterwards. So I am a bit disappointed I never got to see them live, when they did supposedly come to NZ. "Wild Blue Yonder" was from their 1986 album 'Gun-Shy' and has an amazing drum sound, considering the era. It is now a myth (in the context of this blog title) but should have been a huge hit. In my Ponsonby flatting days, one particular flat (a big old villa in Brown st) we had huge parties and we had this agreement that the music had to be what people knew and could dance to etc. Our personal taste was not to get in the way.... it was a rule that worked well, for the success of the parties. However, I always broke that rule with this song and it always went down a treat.

Neil Finn & Johnny Marr - There Is A Light That Never Goes Out (live 2001)

In 2001 Neil Finn started his '7 Worlds Collide' project in Auckland with a series of concerts at the St James Theatre. I was lucky enough to be at one of the concerts and it exceeded my expectations. Neil Finn invited a variety of guests, which included Eddie Vedder, Johnny Marr, Ed O'Brien, Phil Selway, Lisa Germano, son Liam's band Betchadupa and brother Tim. For me, having Johnny Marr as a guest was a highlight... and any live version of "There is a Light That Never Goes Out" featuring the 'Smiths' guitarist was always going to be special, even if it didn't feature Morrissey. It's a big ask to cover any Smiths song, but Neil Finn pulls it off vocally. '7 Worlds Collide' was a great concept that Neil repeated in 2009 with a different guest list.

The Cribs - "Men's Needs"

The Cribs are a young English Indie Rock band with three brothers (including identical twins) and more recently they recruited Johnny Marr. Yes, the Johnny Marr from The Smiths. "Men's Needs" is from their third album 'Men's Needs, Women's Needs, Whatever' from 2007. The album was produced by Alex Kapranos of Franz Ferdinand and this single "Men's Needs" was a defining moment for them... taking them from cult status to rock stars. Vocalist and guitarist Ryan Jarman's girlfriend Kate Nash also recorded a version of "Men's Needs" which is also played on Bitter FM and enjoyed in a similar way to the original.

DIE! DIE! DIE! - "People Talk"

Die! Die! Die! are one of the newer bands signed to Flying Nun Records. They are from Dunedin and released their self titled debut album in 2005. "People Talk" was on their follow up album 'Promises, Promises' which was produced by Shayne Carter of Dimmer and Straitjacket fits fame. The punk/noise pop sound hasn't changed but they seem more proficient in their art... and the rhythm section seems to have been turned up. From what I have heard, their reputation as a live band is growing towards legendary status.

Lykke Li - "Get Some"

Lykke Li is a Swedish singer who arrived on the scene in 2008 with her brilliant debut album 'Youth Novels' and is set for world domination when she releases the follow up next year. I'm saying that on the strength of this first single from her forthcoming album. "Get Some" is certainly a current favourite here at Bitter FM. It has all of her dance/indie elements but this time with some tribal drums and strong lyrics... she is in charge now.

Ian Dury - "Wake up and make love with me"

We all know the hits Ian Dury had in the late 70's... "Hit Me With Your Rhythm Stick", Sex & Drugs & Rock & Roll" and "Reasons to be Cheerful, Part 3" to name a few. His 1977 album 'New Boots and Panties!!' was overflowing with Englishness.... stacked with eccentric and clever songs which were all delivered in his broad accent. "Wake Up and Make Love With Me" was probably more at the Disco end of the fusion of styles he dabbled in. Chaz Jankel was Ian Dury's co-writer for a lot of his songs and this is a good example of them at their peak as a songwriting partnership.

Bitter:Sweet - "Dirty Laundry"

Bitter:Sweet are a duo from Los Angeles with some dance/electronica credentials. Everything from lounge, trip-hop, jazz grooves and retro spy music to dance pop gems like "Dirty Laundry". It has a timeless beauty about it.... with a great beat, horn section (sample) and sensual vocals by Shana Halligan. Next time you do the washing... put this on and turn it up.

Bajofondo - "Pa' Bailar"

Bajofondo are a Rio de la Plata band and has members from both sides of the estuary, Argentina and Uruguay. Their music is an updated version of Tango in a similar style to 'Gotan Project' (Another Bitter FM favourite) which is also known as Electrotango. "Pa' Bailar" is from their 2007 album 'Mar Dulce' recorded in Buenos Aires. It features bandoneonist Ryōta Komatsu from Japan. It retains some traditional Tango elements but adds some fantastic contemporary touches. "Pa' Bailar" has taken Tango from the dance hall to the dance floor.

The SoftLightes - "The Microwave Song"

"The Microwave Song" has only recently been added to Bitter FM playlists and I can't believe it slipped under the radar until now. The Softlightes are a Californian band that could easily be described as overlooked. "The Microwave Song" was released in 2007 on their debut album 'Say No! To Being Cool. Say Yes! To Being Happy' in 2007. It is an alt-pop gem that arrives as a stranger and leaves as a friend. Cooked to perfection.

Teeth and Tongue - "There Is a Lightness To My Bones"

'Teeth and Tongue' is the name Melbourne based Wellingtonian Jess Cornelius goes by at present. She formerly fronted 'Moscow Schoolboy'. Her debut album 'Monobasic' was released in 2008 and is an intriguing collection of songs. On "There Is a Lightness to My Bones" we get to hear her impressive vocal range, with sudden changes in tempo. It starts off nice and slow with a beautiful keyboard backed verse.... you could easily think you were in a restaurant and expecting a cover of Billy Joel's "Just The Way You Are" up next.... however, things do change in an instant. She basically threw away the songwriters manual with this song and what a great result. A fantastic song from an idiosyncratic singer/songwriter.

Rodrigo y Gabriela - "Hanuman"

This song by Mexican duo Rodrigo y Gabriela has a brilliance about it that is hard to explain. We play them on Bitter FM and get the odd email enquiry about them. They have a unique style, which was probably developed and perfected with constant touring. I have been a big fan for a while but I hadn't seen a live (video) performance until I put this blog together.... and was I impressed? Fuck Yeah! Check it out.

Pony Club - "CCTV"

Pony Club is an Irish band featuring Mark Cullen as the main creative force. Pony Club had developed after a couple of previous band names. In 2002 they released their debut album 'Home Truths' and "CCTV" is from that album. "CCTV" is told through the eyes of a hoodie driving around and into the more affluent areas, which he describes as "where the houses get ugly - where everybody calls their first born Britney" and it is here that he is a star on their local CCTV. This is a song that plays like a movie in the head of the listener.

Teenage Fanclub - "Baby Lee"

Scottish band Teenage Fanclub have been creating nice Jangle Pop songs for about 20 years now. They have also had a few famous fans over the years, with Kurt Cobain once stating that they were the best band in the world and Noel Gallagher calling them the 2nd best band in the world... after Oasis I expect. The latest album 'Shadows' came out earlier this year and "Baby Lee" was the 1st single. "Baby Lee" is an uplifting acoustic folk pop song with plenty of the harmonies you would expect from them and with an extra teaspoon of sugar added... but no sickly sweet saccharine.
Sweet as Bro.

Beck - "Hotwax"

Beck was at a creative peak when he released 'Odelay' in 1996. The album was packed full of songs that taught the music industry how to sample songs in a more innovative way. Never before had so many genres been blended together.. or not as well as this, for sure. Beck had some expert help from the Dust Brothers producing. He either has the most amazing record collection or knows where to find some interesting samples. Most people, myself included, wouldn't know most of the songs that he sampled and that is what helped make this record so interesting. "Hotwax" has so much going on.... harmonica, distorted guitar, cool rhythm section, scratching and more guitar... all put together so skillfully with Beck's own style of hip-hop NOT from the hood. He was so far ahead of the pack, I find it hard to believe he was doing this as far back as 1996.

Carla Morrison - "Compartir"

Carla Morrison was part of Phoenix band 'Babaluca' until going solo recently. The songs with Babaluca were predominantly in English, with a few Spanish language songs. But with her solo career, she has gone back to her Mexican roots and recorded a debut album of Spanish language songs. The album 'Mientras Tu Dormias' was released a couple of months ago and is a great addition to the growing number of latin pop releases....(but Shakira fans should stay away). It's full of sweet tuneful songs and the vocals are sensational. "Compartir" grabs the listener after the first line and in my case it was the voice, not what was said, for obvious reasons. When I hear this song, I imagine her as a chanteuse in a latin club in Paris during the 60's.

Jonathan Richman and the Modern Lovers - "Pablo Picasso"

Like many artists from the late 60's onwards, Jonathan Richman was influenced by The Velvet Underground and that influence unmistakably comes through in his music. In fact, it was an infatuation he had with The Velvet Underground, which paid off when John Cale produced some demo recordings. "Pablo Picasso" was one of those John Cale demos. I think of Jonathan Richman as The Velvet Underground with humour and a little bit more upbeat.... or if Lou Reed got up on the right side of the bed. "Pablo Picasso" is more about the artist's womanising and status than any of his achievements.... whatever angle it is coming from, it is still hilarious.

Sinead O'Connor - "Last Day Of Our Acquaintance"

Okay, let's just forget the controversies, the pope incident, her outspoken comments that littered her career and basically everything else that she may be remembered for, other than her music. Although, I acknowledge, she brought most of them upon herself, which I don't even think she would deny and most likely she would still stand behind all the actions and comments. Anyway, now I've got that out of the way, it's time to reflect on a key moment in her musical career.... which was her 1990 album "I Do Not Want What I Haven't Got" which was critically acclaimed and sold truckloads, but with all of that, a lot of the best songs she has ever written were overshadowed, a little, by the huge success of the single "Nothing Compares 2 U". The songs were so strong emotionally, she was baring her soul. There were so many important songs on this album... "Jump in the River", "I Am Stretched On Your Grave", "The Emperor's New Clothes", "Black Boys On Mopeds" and "The Last Day of Our Acquaintance", which is a break-up song that doesn't hide any emotion.... the realization of a relationship gone stale and the sad acceptance of having to end it. Anyone that has been through a divorce or difficult break-up would appreciate the sadness of the final formality that, even if you are going to be better off, hurts like hell.... and in this song I can feel her pain. The song starts off so quietly and slowly builds to a climax, so much so, that it could even disguise the sadness, but of course, it doesn't do that.



This is the last day of our acquaintance
I will meet you later in somebody's office
I'll talk but you won't listen to me
I know what your answer will be
I know you don't love me anymore
You used to hold my hand when the plane took off
Two years ago there just seemed so much more
And I don't know what happened to our love
Today's the day
Our friendship has been stale
And we will meet later to finalize the details
Two years ago the seed was planted
And since then you have taken me for granted
But this is the last day of our acquaintance
I will meet you later in somebody's office
I'll talk but you won't listen to me
I know your answer already
But this is the last day of our acquaintance
I will meet you later in somebody's office
I'll talk but you won't listen to me
I know your answer already
I know your answer already
I know your answer already

Lead Belly/Nirvana - "Where Did You Sleep Last Night?"

Lead Belly
Legendary blues artist Lead Belly has been influential to many musicians for as long as popular music has been around. This song "Where Did You Sleep Last Night" is a traditional American folk song recorded by many artists and in a variety of styles. However, Lead Belly's version is probably the best remembered and more recently Nirvana took it to a new generation. The song was originally known as 'In The Pines" and also known as "Black Girl" but seems to have settled as "Where Did You Sleep Last Night".



Nirvana
Kurt Cobain played guitar on a version of this song recorded by Mark Lanegan in 1990 and performed it with Nirvana many times after that... the most famous of those performances was for the MTV Unplugged in New York series in 1993. Kurt Cobain had first heard the 1944 recording by Lead Belly and kept the Nirvana versions true to that. That complete unplugged performance was amazing and Kurt Cobain even managed to make cardigans cool again.

Johnny Cash - "One"

With U2 in NZ recently, maybe it's time to have one of their songs.... but not by them, of course. I first caught U2 live at the Logan Campbell Centre while they were touring the 'Unforgettable Fire" album and it was fantastic. However, years later at Western Springs, I was much less impressed and things were getting predictable and even superficial. So that was about the time I moved on (after the Joshua Tree album). It's funny, because my flatmate at the time of the 'Joshua Tree' album hated them and we had lots of debates about them and I couldn't understand why he could not see any merit. I don't think it was him that finally convinced me, but not too long after, I think I had just tired of them... and suddenly we were on the same wavelength. However, I am not saying they didn't do anything great since then. I just wasn't a member of the U2 record buying public anymore. I also admit "One" is a great song.... but when I got Johnny Cash's 'American iii' album and heard his version, I was completely blown away. His interpretation respects the original, but at the same time, he makes it his own.... unlike anyone else. I think Johnny cash was at his peak with this album, during his American Recordings (late career) period. Dark and beautiful.

Sherlock's Daughter - "Song For Old People"

Sydney band 'Sherlock's Daughter' are a very recent discovery here at Bitter and a surprisingly good one, I must say. A mix of indie rock, dream pop and whatever else you want to add. They have been spending a lot of time in New York and have played CMJ... which is where I first heard them, via a NPR podcast about the CMJ festival. "Song For Old People" is a dreamy harmony layered song with a driving bass and beats that aren't intrusive but keep it all together. Real nice.

KATCHAFIRE - "On The Road Again"

Katchafire have become a favourite live band in New Zealand over the years and it is quite appropriate that they are touring this summer to promote a new album. The first single just happens to be about Katchafire touring and coming to a town near you. Enjoy it at the next BBQ or party you go to over the summer. In fact, download it, put it on your flash drive and then there is no problem if the next BBQ or party doesn't have it, for whatever reason. Spread the Katchafire love around this summer.

Phoenix - "Lisztomania"

French band 'Phoenix' have been releasing great tunes for at least a decade now, but only became international indie rock stars in 2009 with their "Wolfgang Amadeus Phoenix" album. Although, we at Bitter FM can say that we were early believers because we have been playing their 2001 single "If I Ever Feel Better" since we started. We weren't the only believers though, they were still quite popular and toured America well before this album, but this album really did put them on the map. "Lisztomania" was originally a description for the hysteria regarding the fans of Hungarian composer and piano virtuoso Franz Liszt from the 19th century. 'Phoenix' have a unique style of writing and constructing songs and they could possibly be described as modern day virtuosos themselves. Every time I hear this song I am always amazed how unconventional it is, but at the same time, how incredibly well constructed it is.... like, how the fuck did they do that?

FAMILY CACTUS - "KINGMAKER"

Wellington band 'Family Cactus' certainly left an impression on me after the very first time I heard "Kingmaker", which was a single from their debut album 'Come Howling' released last year. Great vocals, nice harmonies and oh, so catchy. Let's hope 'Family Cactus' are not one of New Zealand's best kept secrets for much longer.

My Morning Jacket - "Death Is The Easy Way"

Kentucky band 'My Morning Jacket' formed in the late 90's and by the early 2000's they were an emerging force, critically and with their live performances (they may even be partly responsible for the big beard trend over the last decade or so). They were building a loyal fan base, through constant touring and consistently good releases. Singer and songwriter Jim James has recently been part of 'The Monstors of Folk' side project and also released a 'George Harrison' tribute EP under 'Yim Yames'. "Death is the Easy Way" comes from their second album "From Dawn" and is listed on the CD as "Death is My Sleezy Pay" but correctly titled on the liner notes. The reverb soaked vocals are a Jim James trademark and add more goosebumps to the listening experience. 'My Morning Jacket' are best consumed alone.... so when everyone has gone home after your next BBQ, grab another bottle and sit back and enjoy some hauntingly great music. Either 'At Dawn' or 'Z' would be a good place to start.

Are You Ready to be Heartbroken? - 2 Part Blog

Part 1, The Question.

"Are You Ready To Be Heartbroken?"
This is our first answer song blog. There are a few answer songs out there and we play some of the good ones on Bitter FM.... although, not always back to back with the song they are answering. Today we have a classic 80's song, a somewhat forgotten gem, from Lloyd Cole and the Commotions' debut album "Rattlesnakes". The album came out in 1984 and it was a great alternative to the synth pop music of the time. "Are You Ready To Be Heartbroken" is full of great lines (like most of Lloyd Cole's songs), name checks (Arthur Lee and Norman Mailer on this song), jangley guitar and white soul vocals. A fantastic track off a five star album. Good enough to get a response over 20 years later by Camera Obscura.



Part 2, The Response

"Lloyd, I'm Ready To Be Heartbroken"
'Camera Obscura' are a Glasgow band, led by Tracyanne Campbell. They have developed quite a cult following since they formed in 1996. They have the same folky/indie pop intelligence as fellow Scottish band 'Belle & Sebastian' and their female led side project 'God Help the Girl'. Tracyanne Cambell was obviously a fan of Lloyd Cole and "Lloyd, I'm Ready To Be Heartbroken" is a response to his song "Are You Ready To Be Heartbroken?" and although she doesn't match the original lyrically, she has still written a near-perfect pop song.

The Buzzcocks - "Ever Fallen in Love"

This song from The Buzzcocks is another punk classic. We've been a bit more retro than usual on this blog lately, but it was only a matter of time before this song made its way on here. "Ever Fallen in Love (With Someone You Shouldn't've)" has melody, hooks, energy and the punk attitude that completed the masterpiece. In the 80's it was covered by 'Fine Young Cannibals' and was a worldwide hit.... which is fine, but if that led to a few people checking out the original, well that's even better.

Grinderman - "Heathen Child"

For me, Nick Cave never fails to impress, whether it is his piano led and lyrically strong material that he has perfected, the dark 'Birthday Party' stuff or the more guitar based project which is 'Grinderman'. Nick Cave has always had subject material and lyrics from the darker side and Grinderman just adds a bit more grunt to it all, however, it is still Nick Cave all the same. So the lyrics are still about God, Death, Love (usually the dark side of Love), Murder and more God and more Death or all of the above. It is often with his tongue in his cheek... but a great story is regularly told as well. Usually a story about God, Death or Murder. "Heathen Child" is no exception.

saint privat - "Somebody To Love"

Saint Privat are an electronica/bossa nova duo featuring Valerie Sajdik and Klaus Waldeck, both originally from Austria but now based in France... well, Valerie is anyway. They have perfected that retro downbeat electronica sound over the years and Valerie has carried it through with solo releases as well. You may recognise "Somebody To Love" as a 'Jefferson Airplane' original... but Grace Slick was never this laid back.

Children's Hour - "Caroline's Dream"

Children's Hour were an Auckland Flying Nun band from about 1983 through to 1985. After their demise, they then basically reformed as 'Headless Chickens' and became a huge success in NZ and Australia. Early 'Headless Chickens' material was quite dark, but nothing like 'Children's Hour'.... this is goth,industrial, a bit of punk and some of the 'Joy Division' bleakness all blended together to perfection. They released an EP "Flesh" which I actually had on vinyl but can't find the thing anywhere... I hope I didn't lend it to someone that didn't return it. Anyway, that's history, luckily the digital version has been available for Bitter FM listeners to enjoy. The unbelievable news is that they are reforming for the Laneway Festival early next year.... I won't be missing that one.

Amadou & Mariam - "Sabali (Paul Epworth Remix)"

Amadou & Mariam are a blind duo or affectionately known as the blind couple from Mali. They have been playing together since 1980, the year they were also married. They are one of the headlining acts at the Womad festival next year in New Plymouth. "Sabali" came out in 2008 and was regularly on best of lists for the year. They actually sing in the three African languages as well as French, which is the main language of this song. This version (which we play on Bitter) is the Paul Epworth Remix, which has probably helped them get the wider audience they deserve.

Lethal Bizzle - "Babylon's Burning The Ghetto" (Babylon's Burning Part 2)

Lethal Bizzle is a London rapper of Ghanian descent. He released this song "Babylon Burning the Ghetto" as one half of a double A-side single along side "Bizzle Bizzle" in 2007. It obviously samples The Ruts' song "Babylon's Burning" but unlike a lot of rap artists, he seems to have blended the Ruts original with his rapping and scratching, rather than just sampling part of the song for the chorus. In fact, he gives the original the respect it deserves and that is all we ask for, when an iconic song like this is sampled.

THE RUTS - "BABYLON'S BURNING"

This has to be one of the greatest punk songs ever. The Ruts even had a hit with this song in 1979 and it still sounds powerful and engaging today. Malcolm Owen was one of the best vocalists of the punk era and it was such a tragic loss to music, when he died of an overdose a year later. "Babylon's Burning" is the ultimate soundtrack to a riot.... "Babylon's Burning With Anxiety"

AaRON- "U-Turn (Lili)"

AaRON are a French band, or duo, with a couple of albums released to date. This song "U-Turn (Lili)" is from their debut album 'Artificial Animals Riding On Neverland' released in 2007. It was also on the soundtrack to French movie 'Je vais bien, ne t'en fais pas' and played a big part in the movie, which was a song written to the main character by her brother, which she plays a bit during the movie, as she tries to track him down, after he is reported missing. The movie was reasonably good... however, it was the song that left a lasting impression on me.

James - "Sit Down"

Manchester band 'James' first released "Sit Down" in 1989 but it was the re-release in 1991 that became a huge hit in the UK. The Madchester music scene had revised the interest for the re-release version to get to number 2. "Sit Down" was more than a great song.... it became a ritual for the audience at their concerts to sit down when they played it. I read somewhere that the first time it happened was a special moment for them, but after more than twenty times it became a bit tedious. Something the song has never become.

The Cure - "A Forest"

The Cure have been around forever, it seems, and this song "A Forest" is the song that introduced a lot of people to them in the first place, even though they had released songs before this. It is an eerie gothic song that definitely has that "lost in a forest" atmosphere about it. Now I know any Bitter FM listener would know this song and I may be preaching to the converted.... however, there is a reason I have chosen this song for today's blog. I have just been to Taupo's newest attraction 'Forest of Screams' and I have to say I was impressed. For a business that has just started, they have obviously done their homework and haven't just gone ahead and learnt as they go. So good luck to them and I say to anyone in Taupo, for a fun night out, the 'Forest of Screams' is a fantastic option for something completely different. The scariest thing in Taupo since Te Kooti.

Lee Hazlewood - "Hey Cowboy"

Lee Hazlewood is well known for his work with Nancy Sinatra but he should be remembered for much more than that. While it could be said that the best songs he wrote were during that period with Nancy Sinatra, I would probably have to agree. But during his long career he had so much more that went relatively unnoticed. He worked with so many other artists including Duane Eddy, Anne Margaret and Gram Parsons. In 1970 he moved to Sweden and recorded the album 'Cowboy in Sweden' which started off as a TV special and subsequently the inevitable album. I would have to say it is my favourite Lee Hazlewood album and that is a big call, I know. "Hey Cowboy" is from that album and is a duet with Swedish singer Nina Lizell. His duets work so well because of the contrast in voices and this is no exception. It is so cinematic that it seems obvious it was originally part of a TV show, although, a movie would be even more appropriate, I think. Unfortunately he died in 2007 and we had a tribute show on Bitter a short time after and I think that may be due for a replay real soon.

The Lemonheads - "Outdoor Type"

The Lemonheads are like a cross between Gram Parsons and any cool American Indie Rock band from the 90's. Over the years the band became more of an Evan Dando (the lead singer/songwriter) project as founding members left. By 1992 he was an Indie Rock god. A drug problem in the years following, probably stopped him from crossing over to the mainstream completely, after he had a taste of it with their cover of "Mrs Robinson". This song "Outdoor Type" is a confession from a city guy that actually hates the outdoor lifestyle.... a bit like an Aucklander moving to Taupo for the lifestyle but realizing nothing has changed, you are still a city boy and climbing mountains or tramping through forests isn't really you after all. Fuck! is this song about me? No way, I've even got some waders and a rod now.... somewhere in the.... where are they again?

Rilo Kiley - "Portions for Foxes"

Jenny Lewis, the lead singer of Rilo Kiley is the living proof that LA is not just pretentious movie stars and wannabes.... it is obviously not my favourite city, but I have to admit that they have given us some great musical talent and Jenny Lewis and co are in my top 5. No, make that my top 1. If you have read any other blogs on Hits and Myths, and I hope you have, then you probably not only know that I'm a music geek, but also that I have obsessions with bands, albums or even singles and the radio station is my outlet, along with this blog. I think you know where this is going.... when I got Rilo Kiley's third album (my first) 'More Adventurous' it was life changing. It was more than an obsession, I was so taken with Jenny Lewis' vocals that may have sounded sweet and innocent but the lyrics were far from it. There is heartbreak and sadness and real life experiences expressed with such brilliance. She was a child star and I am so thankful she took the musical career over the acting one. I should also point out that Jenny Lewis shouldn't take all the credit, as Blake Sennett co-wrote some songs and is possibly even the subject material for this song.... but don't quote me on that. But let's face it, she is the star here. There are so many great songs on this album and I recommend anyone curious should start here. "Portions For Foxes" to me, is about the ex you can't say goodbye to, even though you know it's wrong and it even has that scene where you see them flirting with someone else.... we've all been there and we know Jenny Lewis has as well. Brilliant.


There's blood in my mouth 'cause I've been biting my tongue all week
I keep on talkin' trash but I never say anything
And the talkin' leads to touchin'
And the touchin' leads to sex
And then there is no mystery left

And It's bad news
Baby I'm bad news
I'm just bad news, bad news, bad news

I know I'm alone if I'm with or without you
But just bein' around you offers me another form of relief
When the loneliness leads to bad dreams
And the bad dreams lead me to callin' you
And I call you and say "C'MERE!"

And it's bad news
Baby I'm bad news
I'm just bad news, bad news, bad news

And it's bad news
Baby it's bad news
It's just bad news, bad news, bad news

'Cause you're just damage control
For a walking corpse like me - like you

'Cause we'll all be
Portions for foxes
Yeah we'll all be
Portions for foxes

There's a pretty young thing in front of you
And she's real pretty and she's real into you
And then she's sleepin' inside of you
And the talkin' leads to touchin'
Then touchin' leads to sex
And then there is no mystery left

And it's bad news
I don't blame you
I do the same thing
I get lonely too

And you're bad news
My friends tell me to leave you
That you're bad news, bad news, bad news

That you're bad news
Baby you're bad news
And you're bad news
Baby you're bad news
And you're bad news
I don't care I like you
And you're bad news
I don't care I like you
I like you

Sola Rosa - "Del Ray"

Sola Rosa is an electronica project built around Andrew Spraggon. The Auckland outfit incorporate so many styles in their music and that is what separates them from many of their dance music peers. The latest album is 'Get It Together' from 2009 and has just recently had a remix version released.... so to have an album remixed a year later, you need a great album to start with. It is much more song based, with a lot more instrumentation throughout, rather than the laptop created electronica.... resulting in a much more live sounding album. "Del Ray" is a fantastic latin brass number with great beats , scratching, latin guitar and..... shit, just take a listen.

Mighty Wah - "Story Of The Blues"

Pete Wylie was the man behind The Mighty Wah and all the other Wah variations during the 80's. He started his career in Liverpool with 'Crucial Three' along side Bunnyman Ian McCulloch and Julian Cope, before they all moved on to bigger and better things. He formed 'Wah' in 1979 and released "The Story of the Blues" in 1982, which was their biggest hit.... even bigger than "Come Back" which got a bit of radio play in NZ a couple of years later. He went solo in 1986 with an album and single "Sinful". "The story of the Blues" was released in 2 parts on the original single but most of the versions on other formats are now parts 1 and 2 combined, with his talking blues at the end. This is a slice of 80's music that is as strong now as it was then, lyrically and musically. You don't play this now for a bit of 80's nostalgia, you play it now because it still sounds fucking good.

The Sugarcubes - "Birthday"

This is what started it all internationally for Icelandic superstar Bjork. In fact, she was in a couple of bands before The Sugarcubes, but this was her first exposure outside of Iceland. With the help from legendary British DJ John Peel, this song 'Birthday" was voted as the single of the year on his radio show in 1987. It was my first taste of their unique sound and I was hooked. The cassette version of their debut album 'Life's Too Good' actually survived the workout it got in my car over the years. I don't think I had heard a song with just screaming as the chorus, or wailing, but melodic at least. This was a great way to be introduced to the sound of Bjork... because everything became a bit more normal after this. They came to NZ and I have to say, it was one of the strangest concerts I have ever been to.... fantastic though.

Ashley Park - "A Day in the Life of Grand"

Ashley Park are a Canadian band featuring a couple of members with quite busy lives apart from making great music. Terry Miles also makes movies and writes a bit as well.... in fact, just google his name to find out how good his movie making capabilities are. It seems that is where his passion is, so how can he be such a good musician as well? ...there must be some musicians out there thinking life's so unfair, with some part time musician releasing material this good. The other key member of Ashley Park is Kelly Haigh. She is a painter, hairdresser and dog lover as well as an accomplished musician. Together they create beautiful acoustic music that Pink Floyd would be proud to call their own. "A Day in the Life of Grand" is just that, the best Pink Floyd song that they didn't write... and with some slide guitar to boot. I know I have been raving on about how talented they are, but I also accept they are so unknown and for the same reason, so underrated. So please spread the word.

Crystal Castles - "Not In Love" ft. Robert Smith

Canadian electronic band Crystal Castles have been doing their electronica/rock thing since about 2003. We've been playing them on Bitter for a few years now. "Not in Love" is from their new self titled album... however, this song is different to the album. This version features Robert Smith from The Cure on vocals and according to a lot of fans, they can actually understand the lyrics in a Crystal Castles song for the first time. But don't let that put you off their other material. This could be the hit of the summer... who knows?

Ragamuffin Children - "Lullaby"

Ragamuffin children are a Christchurch folk duo.... and we've had them play here in Taupo a couple of times. Last time they played here they had a couple of extra members and that was also evident on their second album 'The Seahorse Emporium'. The debut album 'Warecat Lullabies' had a more paired back and organic sound. Their songs are definitely quirky but have some traditional folk elements coming through as well.... particularly with Anita's beautiful vocals. Brooke Singer, who happens to be the keyboard player, writes most of the songs and is growing as a songwriter... with more complex arrangements on the second album. I've chosen "Lullaby" from the first album, partly because they have a video for it and partly because it's a good song... so here it is.

This Mortal Coil - "You and Your Sister"

This Mortal Coil were a bit of a supergroup during the 80's and 90's. "You and Your Sister" was from their 1991 album 'Blood'. This Mortal Coil had already released a couple of albums before this but I think this was their pot of gold. The leader of This Mortal Coil project was Ivo watts-Russell, who actually founded the 4AD label. This song "You and Your Sister" was a minor hit (not so much in actual sales) that should have been a major hit. The song is so toned down that it is all about the vocals.... and that is where the charm is. The vocals just happen to be from two of the indie rock music stars of the era, Kim Deal and Tanya Donelly. Although I had no idea it was them singing at the time, I fell in love with this song, without prejudice, I suppose. When I bought this album I remember my girlfriend at the time also fell in love with this song.... to the point she played it over and over. I was actually worried she would ruin it for me with her repetitive playing but thankfully a great song will always be a great song.

Dj Vadim - "Game Tight"

DJ Vadim is a Russian born Electronica DJ and producer. What first attracted me to his music was his regular use of reggae and hip-hop and the many varied artists he has had on vocal duties. He is obviously a man that a lot of artists want to work with. On "Game Tight" he has taken a well known piano tune (some American soap theme) to greater heights. A simple idea done exceptionally well. A dance floor epic for all the "young and the restless" people out there.

Superette - "Killer Clown"

Superette were a Kiwi band with a very distinctively Kiwi name. They formed in 1993 with former JPSE member David Mulcahy, drummer Greta Anderson and Ben Howe.... and we now know Ben from 'Fang' and also 'White Swan Black Swan'. They released their only album 'Tiger' in 1996 and it was a beauty. Another classic from the legendary Flying Nun label. The single 'Killer Clown" is more than a great pop song.... it's subject material is the American serial killer John Wayne Gacy, who dressed as a clown for charity events and kids parties. When "Killer Clown" was released, it attracted enough interest for me to read a book on John Wayne Gacy and all I can say is.... "what a fucking sick piece of shit he was". The lyrics are well written and make a lot more sense when you know the story.


Killer Clown lyrics by Superette

Standing in the kitchen staring at the floor
Daddy's down the basement
talking to himself
He's getting drunk
I shrivel up
Hanging 'round the bus stop
staring at the kids
Think I'm gonna take one
make him lick my wick
And cut him up
To shut him up
Never killed nothing
Never hurt no one

Of the thirty three dead
I only touched one
I'm a killer clown
Sitting in a metal room
people watching me
Eighty minutes ticking by
fluid and it's me
I'm gonna die
I don't know why
Never killed nothing
Never hurt no one
Of the thirty three dead
I only touched one
Do you believe in me?
I'm a killer clown

Henry Rollins - "Liar"

Henry Rollins now has many feathers in his cap... other than his musical career he is an actor, writer, comedian, spoken word artist, TV show host and DJ... I may have even left some out. He started as a vocalist in Washington band 'State of Alert' and was a huge fan of another punk band 'Black Flag' and was invited on stage with them on one occasion.... which led him to become the permanent vocalist after Dez Cadena had decided to switch to guitar.... the rest is history. After Black Flag broke up he started the 'Rollins Band'. The song "Liar" is from the 4th Rollins Band album 'Weight' which came out in 1994. It sort of combines his spoken word and musical careers, with the verses slowed down and quietly spoken and the choruses with its intensive screaming. The lyrics take you right in the mind of the protagonist as he manipulates his victim. With lines like ... "I'll come to you like an affliction and I'll leave you like an addiction, you'll never forget me" this is a song so powerful that it will be like an addiction. A work of genius.




you think you're gonna to live your life alone
in darkness
and seclusion
yeah I know
you've been out there
tried to mix with those animals
and it just left you full of humiliated confusion
so you stagger back home
and wait for nothing
but the solitary refinement of your room spits you back out onto the street
and now you're desperate
and in need of human contact
and then
you meet me
and you whole world changes
because everything I say is everything you've ever wanted to hear
so you drop all your defenses and you drop all your fears
and you trust me completely
I'm perfect
in every way
cause I make you feel so strong and so powerful inside
you feel so lucky
but your ego obscures reality
and you never bother to wonder why
things are going so well
you wanna know why?
cause I'm a liar
yeah I'm a liar
I'll tear your mind out
I'll burn your soul
I'll turn you into me
I'll turn you into me
cause I'm a liar, a liar
a liar, a liar

I'll hide behind a smile
and understanding eyes
and I'll tell you things that you already know
so you can say
I really identify with you, so much
and all the time that you're needing me
is just the time that I'm bleeding you
don't you get it yet?
I'll come to you like an affliction
and I'll leave you like an addiction
you'll never forget me
you wanna know why?
cause I'm a liar
yeah I'm a liar
I'll rip your mind out
I'll burn your soul
I'll turn you into me
I'll turn you into me
cause I'm a liar, a liar
liar, liar, liar, liar

I don't know why I feel the need to lie
and cause you so much pain
maybe it's something inside
maybe it's something I can't explain
cause all I do
is mess you up and lie to you
I'm a liar
oh, I am a liar

if you'll give me one more chance
I swear that I will never lie to you again
because now I see the destructive power of a lie
they're stronger than truth
I can't believe I ever hurt you
I swear
I will never to you lie again, please
just give me one more chance
I will never lie to you again
I swear
that I will never tell a lie
I will never tell a lie
no, no
ha ha ha ha ha hah haa haa haa haaa
sucker
sucker!
oh, sucker
I am a liar
yeah, I am a liar
yeah I like it
I feel good
ohh I am a liar
yeah
I lie
I lie
I lie
oh, I lie
oh I lie
I lie
yeah
ohhh I'm a liar
I lie
yeah
I like it
I feel good
I'll lie again
and again
I'll lie again and again
and I'll keep lying
I promise

Shocking Pinks - "Emily"

Shocking Pinks is basically a solo project for Christchurch musician Nick Harte. He has been releasing material under that name since 2004 on the Flying Nun label and was eventually picked up by New York label DFA Records. What I like about Shocking Pinks is the rough edge to their recordings, which harks back to the early bedroom or 4-track do-it-yourself recordings that the Flying Nun label built its reputation on. The single "Emily" is a bedroom classic.

Orenda Fink - "High Ground"

Orenda Fink is the other half of 'Azure Ray' with Maria Taylor, who has also been on this blog as a solo artist. The more I hear of Orenda and Maria as solo artists, the more I realize how great Azure Ray really were. "High Ground" is from her 2009 album 'Ask the Night' on Saddle Creek, a label that has grown from strength to strength over the last decade or so. It's a mandolin heavy gothic song recalling her southern roots. Hauntingly beautiful.


Hey, big man, come down from there
You know, with your hands,
What you can do from there
I know that you loved one long time ago
And what happened to you then
Made your heart turn to stone

And there’s a rain coming down
To the valley below
And I know just how they feel
Cause when the water rises
They start to look for high ground
Just like me when you come around

Hey, big man, big wind, don’t blow
Don’t come search for me
I beg of you both

'Cause there’s a rain coming down
To the valley below
And I know just how they feel
Cause when the water rises
They start to look for high ground
Just like me when you come around

All you have to do
Is think of me and you
And all these things
Enter my dreams
And warn, yes they warn me

That there’s a rain coming down
To the valley below
And I know just how they feel
Cause when the water rises
They start to look for high ground
Just like me when you come around

Natalie Portman's Shaved Head/Natalie Portman/Brite Futures -Trilogy

PART 1, Natalie Portman's Shaved Head.
Cool name for a band? I thought it was... partly because it comes from a great movie 'V for Vendetta' in which Natalie Portman had her head shaven. However, the band 'Natalie Portman's Shaved Head' didn't like the name as much as I did because they have now changed it to 'Brite Futures' (see part 3) and they decided to break the news to Natalie in person (see part 2). They are from Seattle and have that ever so popular indie rock/dance - electronica sound and they do it well.

Natalie Portman's Shaved Head - "Staying Cool"
PART 2, Breaking the news of the band name change to Natalie Portman. It probably wasn't the easiest thing to do and they were worried about how she would take the news. PART 3, Brite Futures Musically, Brite Futures have grown since the name change and seem more confident as a band. This song "Dog Eared Summer" is their best work so far, in my opinion. They are definitely (warning! predictable statement coming up) a bunch of musicians with Bright Futures. Brite Futures - "Dog Eared Summer"

Drugstore feat. Thom Yorke - El President

Drugstore are a London band featuring a Brazilian singer Isabel Monteiro, along with a couple of guys.... I'm sure you don't really need to know their names. "El President" came from their 1998 album 'White Magic For Lovers' and features the unmistakable voice of Radiohead's Thom Yorke. It is actually dedicated to former Chilean president Salvador Allende, who was ousted in the 1973 coup d'etat. Their sound at the time was very Radiohead-like and this duet seemed quite appropriate. The vocals from both of them are wonderful. The perfect combination with both of them outdoing each other.... just at the time you think it couldn't get any better.

The Jam - "That's Entertainment"

Once upon a time we had to discover the best new music on a sunday night television show called 'Radio With Pictures' ...and that was exactly the place I first heard this. It was practically life changing... Paul Weller was the coolest guy around at that very moment in time. "That's Entertainment" is one of the greatest acoustic songs ever recorded. The Jam were huge in Britain and finally we could see why. This is so good we can even forgive him for The Style Council.

The Bastard Fairies - "DIRTY SEXY KILL KILL"

The Bastard Fairies are an interesting alt rock band from LA. Basically a duo, consisting of Native American singer/songwriter Yellow Thunder Woman, as she is known, and expat Englishman guitarist/songwriter Robin Davey. They released their debut album 'Momento Mori' in 2007 and it is available as a free download on their website, on the condition you share it with your friends, either burn them a copy or send them a link... seems fair to me. So I'll do my bit.... here is the website www.bastardfairies.com
This song "Dirty Sexy Kill Kill" however, is from their new EP 'Man Made Monster' which was released in August this year. If you like this song as much as I do, you will have to pay for it... but $4.99 usd for the 6 track EP, they are still practically giving it away.

Neko Case "People Got A Lotta Nerve"

Neko Case released her 7th album (5th studio album) 'Middle Cyclone' in 2009. She is also a member of 'The New Pornographers' as well as other side projects. 'Middle Cyclone' was a real nature album.... her attachment to nature and animals came through as the main theme. "People Got a Lotta Nerve" is a great song on all levels. Musically, it is as good as anything she has written and lyrically, it is a clever lament to the poor animals that we have labelled as man eaters and the fact that we are surprised when they do eat us. She toured earlier this year and I couldn't miss that one... it was at the Bruce Mason theatre in Auckland, which was the perfect, reasonably intimate, venue for a concert that was as good as I had expected.

Luomo - "Love you all"

Loumo is the name Finnish producer Sasu Ripatti releases his experimental dance music under. But don't be fooled by the word experimental, there is nothing like the sound of vacuum cleaners or field recordings here. This song "Love You All" is from his 2008 album 'Convivial' on which he has many guest artists including 'Apparat' here on "Love You All". Berlin Electronic artist Apparat (Sascha Ring) has helped Luomo create a modern dance classic. His falsetto vocals are sensational. In fact, why the hell haven't I downloaded the whole album? Okay, that's it, I'm off to iTunes.

HOCKEY - "TOO FAKE"

Hockey are an American band that have been compared to LCD Soundsystem and the Strokes and this song confirms that completely. It certainly starts off with the indie rock/dance sound of LCD Soundsystem and then the chorus just turns full-on in a new wave/alt rock direction.... and what a chorus it is. "Too Fake" is from their album 'Mind Chaos' that was released last year and was produced by former 'Talking Heads' member Jerry Harrison.

Isobel Campbell & Mark Lanegan - "Come Undone"

Isobel Campbell & Mark Lanegan were a surprise musical pairing at the time of their first EP in 2004 and three albums later... it now seems so normal and an obvious pairing. Isobel Campbell was originally in Scottish band 'Belle & Sebastian' and Mark Lanegan from grunge giants 'Screaming Trees' and both artists have been busy with solo careers, guest spots and a few side projects before and even during the collaboration. Their third album 'Hawk' has just recently been released and "Come Undone" is the first single. Their sweet and sour vocals, with her whisper and his deep harsh style come together so well on "Come Undone". It also has an atmosphere of contrasts with the beautiful strings and a soundtrack reminiscent of James Brown's "It's a man's man's man's world" along with a sad story of regret.




I stumble and I fall, your time is on my side
Don't make sense of it all, despite my foolish pride
It's got me on my knees, tearin' up my heart
I'm shakin' at my bones, tearin' me apart

When I can't get close to you
I come undone, I come undone
Come undone, babe, I come undone

Time will take its toll, time can break your heart
And if I had the chance, we'd never have to part
Took my only flame, took my one desire
Threw it all away when jumping in the fire

I can't get close to you
I come undone, come undone
Come undone, babe, I come undone

When the day is done I lay me down to rest
Everyone will see that I loved you the best
When all is said and done here simple and explain
And if I have the chance I'll do it all again

But I can't get close to you
I come undone, I come undone
Come undone, babe, I come undone

I'm not scared of the dark though you tangle and tease me
But worse than your bark you said you'd never leave me
The devil make everybody, don't please believe me
Oh love of my life, won't you let me down easy?

Undone, I come undone
Come undone, babe, I come undone
I come undone, I come undone
Come undone, babe, I come undone

Braxton Hicks - "Fake"

Braxton Hicks are a young band from Hamilton. We've been playing the single "Fake" since it came out in 2008. They sure keep a low profile, so I can't tell you much about them. But this self released single "Fake" speaks for itself. That's it today..... I know you want me to say something about Hamilton, but I won't.

Wilco - "California Stars"

In 1998 Billy Bragg and Wilco released a collaborative album 'Mermaid Avenue'. It was an exciting prospect for any fan of either or even both. But the icing on the cake was the Woody Guthrie connection. American folk legend Woody Guthrie left behind more than a thousand sets of lyrics, after his death in 1967.... all complete but without any music. His daughter Nora Guthrie had approached Billy Bragg about the project and he got Wilco onboard and the rest is history. They even recorded a second volume a couple of years later, due to the success and acclaim of this album. They decided to add their own contemporary style of music to the lyrics, rather than try to emulate Guthrie's folk style.... and the results were fantastic. "California Stars" is from Wilco and has Jeff Tweedy in top form vocally. A risky project that they managed to pull off.... twice.

The Slits - "Typical Girls"

I just heard that The Slits singer Ari Up died yesterday. Fuck, I'm devastated with that news. To me, she has always been a legend. She had her own unique style that many followed years later.... but she was so far ahead of the pack. The Slits debut album 'Cut' came out in 1979 and it wasn't just the album cover that made an impact... it was their reggae/punk hybrid sound that was so refreshing in a time when Frampton Comes Alive was still selling by the truckload. Ari Up was one of the the most original and charismatic lead singers in rock. Shit, this is such a shock.
Here is "Typical Girls" from a singer that was far from 'typical'. R.I.P.

Elastica - "Connection"

Elastica were such hot property when this came out, I can't believe it came to nothing. This single "Connection" came from their 1995 self titled debut album. It came out in the middle of the Britpop period and will now always be remembered as a song associated with that genre.... although, musically it certainly did fit within that style. The good thing about music is that even if you have a short existence, the music you leave behind is always there for all to enjoy. The key band members have moved on to other things in their lives, but they would have to be proud of this album.

The Fiery Furnaces - "The End is Near"

The Fiery Furnaces are a brother and sister duo from Chicago and formed the band in 2000. "The End is Near" is from their eighth album 'I'm Going Away' which came out in 2009. This piano led ballad is quite uplifting, considering the gloomy subject material. This is the most accessible they have been for a few albums, at least.... although it is not their move into the mainstream. Just a fantastic song by a couple of eccentric siblings.

Anna Coddington - "Hold You Here"

Anna Coddington came to my attention with her band 'Duchess' and their song "Raglan City", which is her home town. She started her musical career at a young age in 'Handsome Geoffery' before they broke-up and subsequently became Duchess. Duchess only released an EP, but that was enough to realize a great talent. Anna Coddington's debut solo album 'The Lake' came out in 2008 and it brought her a wider audience. It is packed full of beautiful melodic songs.... a debut album she can surely be proud of. "Hold You Here" was the first single and it is probably the catchiest... but in a way that you wont be sick of it quickly. For me, I couldn't get enough of it and it was also played on Bitter FM constantly.... and of course, I still love it now. The perfect song to launch a solo career.

Smiley Culture - "Cockney Translation"

London Reggae artist 'Smiley Culture' had one of the coolest singles of the 80's. If you could actually understand him, you were in for a treat. With his Jamaican heritage, he gives a lesson on the London dialect to his Jamaican brothers and sisters.... it is full of wit and over a nice dub soundtrack, albeit an 80's one. The greatest self help tape ever.... In fact, the Cassingle release of this song should have been in every library's Books-on-Tape section.

The Lyrics 11, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, It's I Smiley Cuulture with the mike in a me hand Me come to teach you right and not the wrong In a de Cockney Translation Cockney's not a Language it is only a slang And was originated yah so inna England The first place it was used was over East London It was respect for the different style pronunciation But it wasn't really used by any and any man Me say strictly con-man also the villain But through me full up of lyrics and education Right here now you a go get a little translation Cockney have name like Treey, Arthur and del-boy We have name like Winston, Lloyd and Leroy We bawl out YOW! While cockneys say OI! What cockney call a Jack's we call a Blue Bwoy Say cockney have mates while we have spar Cockneylive in a brum while we live in a yard Say we nyam while cockney gwt capture Cockney say guv'nor. We say Big Bout ya In a de Cockney Translation! In a de Cockney Translation! Well watch a man.............................. The translation of cockney to understand is easy So long as you don't deaf and you listen me keenly You should pick it up likea youth who find some money Go tell it to your friends also your family No matter if a English or a Yardy Ca' you never when them might buck up a cockney Remember warm dem dem deh man dem don't easy Dem no fire sling shot a me say strictly double B Dem run protection racket and control 'nuff C.I.D. Say cockney fire shooter, We bus' gun Cockney say tea leaf, We say sticks man You know dem have wedge while we have corn Say cockney say be first, my son! We just say Gwan! Cockney say grass, We say outformer man When dem talk 'bout iron dem really meam batty man Rope chain and choparita me say cockney call tom Say cockney say Old Bill, We dutty Babylon In a de Cockney Translation! In a de Cockney Translation! Well watch a man........................ Slam bam Jah man Hear dam Fashion Smiley Culture Origiantion But first let me tell you more about thr cockney Who live comfortably and have yacht by the sea And when it come to monry most of then have plenty But where dum spend it? In de bookie Lose it all on the dogs or on the gee gees Or paying off fe dem bribes to the Sweeney So dem nah go do no time fe no armed robbery Or catching antthing that fell off the back of a lorry Slam bam Jah man Hear dem Fashion Me strong Me long Me at the mike stand More time In a dance Me chat 'Pon a sound But sometimes me shake out and leave me home town And that's when me travel a East London Where I have to speak as a different man So that the cockney can understand So black man and white man hear dem fashion Cockney say scarper, We say scatter Cockney say rabbit, We chatter We say bleach, Cockney Knackered! Cockney say triffic, We say waaacked! Cockney say blokes, We say guys Cockney say Alright? We say Ites! we say pants, Cockney say strides Sweet as a nut...................... just level vibes. Seen? The ultimate cockney television show

Ween - "Push th' Little Daisies"

American Alt Rock band 'Ween' released this single in 1993 and it was a huge underground hit. The album was 'Pure Guava' which was their third album but first with major label Electra. Every student, college and alternative station was playing this in the 90's and it may have even crossed over to the odd commercial station for a short time. It was far from the grunge sound that was dominating the alt rock scene at the time.... particularly the helium vocals. They had self-released home taped recordings earlier in their career and retained a bit of the experimental element to their music right through to this major label release.... although this was much more polished. I will never tire of this song.

The Assembly - "Never Never"

The Assembly were a short lived project featuring former Depeche Mode and Yazoo keyboardist/songwriter Vince Clarke and sound engineer Eric Radcliffe. Their first single was "Never Never" released in 1983 and had Feargal Sharkey as a guest vocalist. The idea was to have a different vocalist for every song they recorded, but this turned out to be their one and only single. The synth pop sound is unmistakably Vince Clarke and he went on to form Erasure, which was about the time I lost interest. The Undertones had just broken up and Feargal Sharkey was about to start a solo career. In my opinion, this was his best post Undertones moment. The ultimate loner's anthem.

Faithless - "I want more"

I know this 'Hits and Myths' blog is all about the songs and the videos attached are an addition to complete the picture. However, todays blog is going to be more about the video. 'Faithless' have always released good dance/trip hop songs and "I Want More" is no different. In saying that, it is the video that is the star here. Faithless have to take some credit for adding this footage to their song before anyone else did the same thing.... and they also edited it well to fit with the music. The footage itself comes from a BBC documentary "A State of Mind" which was about the Pyongyang Mass Games in North Korea. It followed two child gymnasts for eight months as they trained for the event. I tracked down the DVD and it is such a wonderful insight into a country we know little about.... and one of the last remaining communist nations. The film was not too political, for obvious reasons (we wouldn't have the film at all if they had a political agenda)... but we still got a rare glimpse into what happens and the mindset of the North Korean people. After watching the film, I pitied them and envied them at the same time. Their undeniable love for their leader is absurdly fascinating as well. The mass games themselves are as regimented as their army and on such a large scale that only a communist country could pull it off. I encourage anyone with, at least, the slightest interest to track down the DVD of this... I've only ran into one other person that has seen it and we couldn't stop talking about it. So thanks 'Faithless' for bringing this film to my attention. While we are on the subject of Doco-Movies, another interesting film is one called 9/11 and this one has no Michael Moore propaganda and doesn't come from any angle at all. It is a documentary by a couple of French brothers, about fire fighters in New York. They are following a new recruit at Battalion 1 and after about a week or so in September 2001, he still hasn't been to a major fire or incident... that all changes when they are sent to a gas leak and they see (and film) a plane flying low in the city. In the distance they see it fly into the tower and they rush there.... while still not knowing what is going on. The footage is different to what we have seen over and over, for the sole reason that a lot of it was taken inside one of the towers. It is edited with complete respect for the the families of the victims, with no actual footage of the falling victims.... and there were more of them than I had realized. It is an emotional insight into the events of that day, as they unfolded.
Sorry, this song blog has turned into a movie blog... it will be business as usual again tomorrow.